Records
Songwriting and production credits include The Amity Affliction’s #1 ARIA album Chasing Ghosts and Top 20 Oricon work with Joy Opposites.
About

Atelier XXIII is the name for the way Imran Siddiqi has worked for more than two decades: listening closely, finding the strongest version of an idea, and building the right creative world around it.
His path has moved through almost every corner of music—from major labels and digital platforms to touring, songwriting and recording studios. That range brings a wider perspective to the room. Not only how to make a record sound compelling, but how to make it feel honest, distinctive and ready to live beyond the studio.
The aim is to create a space where artists feel safe enough to take risks and challenged enough to move beyond the obvious. It is a human process, grounded in close listening, clear decisions and technical craft.
A wider perspective
Experience presented as evidence, not a résumé.
Songwriting and production credits include The Amity Affliction’s #1 ARIA album Chasing Ghosts and Top 20 Oricon work with Joy Opposites.
Former label manager at Universal Music and member of the editorial / label relations / live team at iTunes in London—experience that placed him in rooms with Paul McCartney, Bruce Springsteen, Amy Winehouse, REM, Nick Cave, …
Tour and production management for Bring Me the Horizon, Fever 333, Mae Muller, Alexis Ffrench, letlive., FACT and others. Working at major festivals—Rock Werchter, Graspop, Fuji Rock, Summersonic (Tokyo & Osaka), Rock am Ring / Rock im Park, Big Day Out, Hellfest, Lowlands, Pinkpop, … Live musician having performed on support and headline tours across the US (w/ Pierce the Veil, Trivium, Motionless In White, The Devil Wears Prada, …), Europe (Sepultura, Funeral for a Friend, Parkway Drive, Architects, …), Australia (Soundgarden, My Chemical Romance, …) and Japan multiple times.
Worked on albums alongside Alex Newport, Elvis Baskette, Jef Moll and Liam Nolan, in studios including Studio 606 (Los Angeles), Tiny Creatures (Montecito), Studio Barbarosa (Florida) and Metropolis (London).
How we work
Understand the artist, the ambition and what still feels unresolved before prescribing a sound.
Strengthen the emotional promise of the song and remove anything that obscures it.
Make production, performance and creative choices that belong to this artist—not a generic version of the market.
Selected records