From first instinct to finished record.

A closer look at how songs find their shape, identity and emotional centre.

How a first instinct finds its finished form.

Selected songs heard at the point they arrived, then again as finished records.

Imran Siddiqi working at the mixing console
01

MOUJ · Years in Reverse

Pages

MOUJ arrived with a voice-and-guitar sketch and no previous recording experience. Imran found the tempo that let his cadence breathe, developed the arrangement, and built the finished production with instrumentalists in Nashville.

Atelier XXIII presents

MOUJ — Years in Reverse final artwork
MOUJ

Pages

02

MOUJ · Years in Reverse

When I Come Around

Imran rebuilt the song through programmed and performed electronic instrumentation, giving it a rhythmic and tonal identity of its own within the wider world of Years in Reverse.

Atelier XXIII presents

MOUJ — Years in Reverse final artwork
MOUJ

When I Come Around

03

MOUJ · Years in Reverse

Dreamy Swirl

An unguarded garden performance captures the song at the outset. Beside it, the finished master reveals how that first form became a record.

Atelier XXIII presents

MOUJ — Years in Reverse final artwork
MOUJ

Dreamy Swirl

04

Sugar Bites · She Sees

She Sees

The song is first heard in an early performance during the writing stage, before its studio character was fixed. Beside it is the completed record: recorded by Imran at Studio Six and mixed at Atelier XXIII, with its arrangement, performance and final sonic identity in place.

Atelier XXIII presents

Sugar Bites — She Sees final artwork
Sugar Bites

She Sees

What could your first form become?

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